This blog is born of a New Year's resolution challenging myself to write every day. My goal is to regularly update this space with short music reviews—mainly songs, as that seems most manageable, but hopefully some albums as well—in order to exercise my skills of artistic critique (and perhaps expand my own sonic horizons in the process).
Friday, February 24, 2012
"Good Girl" Carrie Underwood
"I like all kinds of music—except country." It's probably a statement you've heard many times before, as though the hearty guitars and endless sorrows of the genre are somehow a foreign species, instead of merely the twangier cousin of rock 'n' roll and R&B. On her new single, "Good Girl," Carrie Underwood blurs those lines effortlessly and fantastically, using sassy hand claps, divalicious belts and a shredding electric guitar to underscore her acerbic takedown of boys who are bad in love and the foolish girls who fall for them. Even the more traditional country chorus turns a banjo riff into a punchy hook. It's an irresistible three-and-a-half minutes power pop—perhaps the best song so far of 2012. I dare those pretentious cosmopolitan folk who fear any association with bumpkins and hillbillies to deny its powerhouse charms. A
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